New Moon in Scorpio
Welcome to this New Moon in Scorpio. A time to dive deep, to heed the call for intimacy and to uncover shadows in our psyche, those aspects of ourselves we often hide away. It is time to get real with your emotions and feelings. If you are anything like me, your dreams will have been nudging you in the right direction, showing you what needs to be seen.
Notice what is stirring from within, what wants to be born out of these mysterious depths right now. And celebrate this with a New Moon Ritual, a giving thanks for what is arising – or what you want to arise with the New Moon cycle.
Coincidentally, It was also Diwali, the Indian Festival of lights and Beltane last night, that “celebration of Holy Lust, Allurement, Aphrodite.”(Livingstone) This is a time when the insects are buzzing in our gardens, nests are being built, there is new green growth and flowers and fruits emerging. This moment is a celebration of life begetting life, of love, or as Glenys Livingstone says, when ” the promise of early Springs exalts in Passion.” So passion, love and lust are certainly being activated at the moment. Its a great time to celebrate your passions, to follow your bliss and the impulses of your heart!
There is much birthing happening in my life right now, after a long deep rest. I can certainly feel the deep stirrings of life and love. Thanks for stopping by, you might like to grab a cuppa and sit down and have a read. Feel free to pass this newsletters on to others who may be interested. And if you just want to see what’s coming up check out the events below.
Thanks and love
Sacred Women’s Circle– Co Hosting with Grace Funk, Wednesday 14th November
Summer Solstice Dance- Thursday 20 December,
Medicine Drum Making Workshop- Saturday 9th February 2019
MoonSong Workshop– Sunday 24th March 2019
Medicine Drum Making Two Day Workshop- Weekend of March 30/31 2019
Making a Medicine Drum….
After a fair hiatus the Medicine Drum Making Workshops are back. I am delighted to be hosting two drum making workshops early next year. The first is the Shamanic Drum Making One Day Workshop, that I have been holding with the beautiful Grace Funk. Grace has moved to Canada, so she won’t be holding this space with me. Instead I am working with Viv Thomas, a beautiful and wise woman. Viv has held space for me many times. She is a wise Bear Woman, a Midwife, Mother, Grandmother, and a Maternal and Child Health Care Worker- so you are in safe hands as you birth your Medicine Drum into the World, and birth yourself as drummer. I am delighted to be working with Viv, co -creating the magical space with you all to create your own Medicine Drum. Details and Bookings for this One Day Workshop to be held on 9th Feb 2019 in Carnegie.
In March I will be working with Emilie Alciato for a deeper immersion into the drum making process. Emilie offers regular circles in the Yarra Valley (monthly Moon circles, and Chant de Lune, Medicine songs for women). Her relationship with her drum deepened through her diverse pregnancy journeys as it helped her connect with her babies, to prepare for a freebirth, and to integrate her experience of miscarriage. She is passionate about supporting women to connect with their inner wisdom, to guide mothers to prepare for a conscious birth and to help healing after unexpected birth outcome.
This two – day workshop provides more time to reflect on your own birth process- how you do creativity, what are your blocks, and where are your flows. We will be in ceremony for two days, and you will be fully immersed in the drum making process from cutting your own hides through to lacing the hide and birthing your drum into the world. This workshop will be held in the Yarra Valley at Peace Farm. We welcome you to join us for this magical transformative weekend. Details and Bookings.
It is such a joy to see women dive deeply into the creative process, and make a medicine drum. And then to hear how they are drumming out in the world is always wonderful. Please keep sharing your stories of how you are working with the Medicine Drum in your life.
Journeying with the Drum
Most of my work with the frame drum is using the drum as a shamanic instrument, for ritual, journeying and ceremony. In this photo from my recent MoonSong Workshop, the women are journeying to the beat of the drum to access a healing ritual for their menarche.
The women are resting, dropping into the Alpha and even Theta brainwaves by focusing on the beat of the drum. Alpha waves are calming and relaxing. They are the bridge between our conscious (beta) and subconscious (theta) states. Theta is our most intuitive state, its trance like, and deeply restorative. Journeying with the drum is a way to access these states, to journey into our deeper wisdom, and the consciousness of the web of life.
As the MoonSong workshop is centered around our menstruality, and the deep embodied relationship between our cycling bodies and and the moon and her phases and the earth and her seasons, this drum journey was to the womb (or womb space- for women like me who no longer have a physical womb). The women “traveled” via the drum beat to connect with their Inner Goddess, their inner knowing to heal their menarche experiences.
In our culture today, most, but not all women experience menarche as a difficult transition. Often enough it is shameful, hidden, or at best, just something to get on with. But this rite of passage is a spiritual experience, and one that teaches us what it is to be a woman, so healing this rite of passage can have a profound effect on our relationship with ourselves, our cycles (if we are still cycling) and our sense of being a woman. This is important for women at all stages of life. As someone who is journeying through menopause- it is really important that we heal these earlier transitions- that we learn the medicine of each of these rites of passage and continue on our journey of wholeness. Drum Journeys like this one can be an important component of this healing. And then we can embody this healed way, and slowly but surely we ripple out the healing of the feminine. Get in touch with me, if you would like a one on one drum journey, or join us for a full day of reclaiming feminine wisdom in a MoonSong Workshop. I am delighted to be hosting two MoonSong Workshops next year . The MoonSong Workshop is for you if you want to:
*Feel nourished and connected to a circle of sisters
*Listen deeply to yourself and your sisters
*Remember feminine wisdom through understanding women’s mysteries
*Reclaim the sacred intelligence of your body.
*Understand why you feel the way you do
It is important to book early as I am only hosting two workshops in the year. More information and Bookings can be made here. Of course the birth story in our drum workshop is the first rite of passage, and learning the medicine and healing in this is essential too! So much to remember! I am so glad for the teachings of Jane Hardwicke Collings, who birthed MoonSong into the world, and who was there when i birthed my first drum in the world!
Finding the Rhythms
A long time ago, when I was travelling in France, a French African asked me, “how many rhythms do you know?” I was stunned by the question and I giggled in response but it was earnest, and it has reverberated through me ever since. How many rhythms do I know? Honestly, not many. But I am keen to learn more. I am keen for our culture to celebrate rhythm in its myriad forms. So I decided to explore the musical heritage of the frame drum, exploring the rich histories of rhythm. My first rhythmic teacher was Jane Elworthy, and her teaching was wonderful, though we could only touch upon this heritage as she only offered a couple of weekend workshops here in Melbourne.
I wanted to dive deeper, and so I enrolled in Marla Leighs Frame Drum Academy. This has been a really fun way to connect to the rhythmic side of the frame drum, exploring different rhythms and musical histories. Marla is a beautiful teacher, and as its an online course, when and how your learn and practice is up to you. Though it does require discipline, and as a number 5 that can be a challenge for moi!
Marla has this to say of the Frame Drum, “In the ancient world, women predominantly played the frame drum. Shamans and High Priestesses drummed during rituals, sacred rites of passages and for healing. Today, such formal rituals and rites are no longer a recognizable part of modern living, but we can incorporate these ancient practices into our daily lives to help heal our communities and ourselves.”
You can see this history in this Vase of the Bacchantes from 450 BCE. There are so many examples like this one, showing women from all over the ancient world drumming their drums. And each of you who births a drum, attends a drumming circles, or dances to the beat of one are part of this revolution, bringing the drums and the feminine home!
Interestingly since I began this course, I have by chance (Ha!) seen several female drummers performing live. These included the awesome Terri Lyne Carrington (pictured below) and her social science project, Lucianna f Padmore with the Rakiem Walker project, ( so funky!) and an amazing frame drummer who performed at Layla and Majnun, but whose name I cannot locate! It is always fantastic to hear and see female drummers. The women are returning to this ancient instrument. Perhaps you feel the call too.
Lost and Found
As with the ancient art of drumming, so much feminine wisdom has been lost, but we are remembering. The call of the divine feminine is growing across the globe. I see it in so many ways, I feel it in my body, or as Arundhati Roy says,
“Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing.”
Can you hear the earth breathing? Do you listen with the ears of your heart to her soft sighs? The rustle of leaves, the whisper of breath upon grass? Do you know her language, her songs? her stories? I don’t. I long too, but I am not there yet. Sometimes when i’m dancing outside, or simply sitting and observing, I feel the stirrings of language, or at least a deep embodied connection.
I was recently gifted a beautiful book, which conveys the longing and love of land and the challenge of finding its language. the author Inga Simpson says,
“But I do not speak Brush Box. My imagination is wrong-rooted in woodlands, populated by elves and dragons, the store of words and images from a lifetime of reading English Literature, and a genetic memory of brooks, glens and munros. I strain to hear the voice of this place, the land itself. Sometimes, when sitting on a log, straining up a slope, or hopping from rock to rock along the creek, I catch its echo. Perhaps in time, if I listen careful enough, all of the stories will align.” Inga Simpson, Under Story
And this book is a gentle nudge to keep listening, to stay open to the world around me, here, wherever I am.To continue this quest to belong with all that this entails, with a sense of responsibility to the First Peoples and their Knowing, and to the Country herself.
And so I am heartened to have signed up to my third and final year as Apprentice to the Four Seasons Journey under the teaching of Nymh Fox. For she is one who has immersed herself in the Forest, who has opened herself to the language of trees, of shrubs, of soil, of air. “Nymh is a shamanic ecologist, Mother and lifelong Journeyer of the Wild. Her work is deeply rooted in the rewilding of the Feminine. She lives a gentle untamed life with her family in a little cottage on the ridgeline above the wild valley where we gather and journey together. “
Watching Nymh, observing her ways you get a deep sense of how she weaves rituals and the crafting of sacredness into everyday life. I can observe her gentle wild ways her openness to learning, to listening, to wide-eyed wondrous watching. And now she shares what she knows, with deep respect for the land, for the First Peoples, the Gadubanud people of the land on which we gather, and for all the women who come to circle together in the Four Seasons Journey. It is such a Way, such a potent sacred path we walk together. This work is a reclaiming of our birthright as women, underpinned by the knowing that we are all interconnected, that our healing is Natures healing. We do this work for ourselves and so that “ a renewed sense of balance and wellbeing can be restored to Earth and her people.” (Hardwicke Collings )
And it is here on Nymh’s land that I have felt my bodied listening open again. In ceremony with the land, we walked the sites that had opened themselves to the women undertaking Wilderness Solo. My work was to tie a red ribbon around each stake identifying the site. It was simple and yet so sacred. I felt my whole self-held as I prayed to the land, acknowledged the opening and welcoming of the women who would come. I prayed my thanks and gratitude for their offering.
And when the women returned from their 3 night solo with the land, and their voices swelled around the campfire I drummed a simple beat, a gentle reminder to stay close, to hold their stories a while yet. I checked in with one of the eucalypts that encircled the space, was this the right thing, to quieten them now? She sighed a yes in response. Three times she sighed when I asked a question of my drumming. Each time I asked a question I heard her sigh yes in response. It may sound obnoxious or trite but it was none of this, it was a call and response, a tiny window into the art of listening to land. And for that brief encounter I heard her language.
So, I return to immerse myself in this process of listening. I return more able this coming year as for this past year I was shielded much of the time. With two major surgeries I was often protecting myself from too much energy, from too much activity and though at times this made me more open to the language of my body and the earth body, at times I closed myself off in protection of my core, my stomach, my womb, my kidney. I protected my centre from any unwanted energy, and at times from that which might have been wanted but felt too powerful, too exposing in my weakened state. So as my energy rises I am delighted to be able to Journey again, to walk this way full bodied, with the School of Shamanic Womancraft open and listening to the women who came and the land who hold us.
We all belong here to this earth, to this place. And for a white woman in Australia this can be complicated but all of us do belong to, and are part of this earth. I have long heard Aboriginal people say we all belong here, they invite us again and again to understand this within the context of what has occurred here. So we need to remember and celebrate the First Peoples, to listen and learn from the wisdom of a people who have lived on Country since the Dreaming, or as our science would say 70 000 years….
We can do this as individuals, as our leaders often fail too. If you haven’t already, have a read of the Uluru Statement of the Heart and show your support for Indigenous Voices, for real empowerment, and constitutional reform so that (Aboriginal) “children will flourish. They will walk in two worlds and their culture will be a gift to their country.” This Statement calls for the “establishment of a First Nations Voice enshrined in the Constitution.” And it calls for truth, a “fair and truthful relationship with the people of Australia and a better future for our children based on justice and self-determination. “It truly is a statement from the Heart, seeking justice, recognition and offering to walk together with all Australians. I’m all for it what about you? It feels like a healing balm for us all, a much needed doorway into our sacred source. This is the week to get behind this statement by sharing the image above wherever you can!
A poem for you
Today, like every other day, we wake up empty
and frightened. Don’t open the door to the study
and begin reading. Take down a musical instrument.
Let the beauty we love be what we do.
There are hundreds of ways to kneel and kiss the ground.
That’s all for now,
Be well, Blessings