Follow Your Bliss November New Moon News

New Moon in Scorpio

Welcome to this New Moon in Scorpio. A time to dive deep, to heed the call for intimacy and to uncover shadows in our psyche, those aspects of ourselves we often hide away. It is time to get real with your emotions and feelings. If you are anything like me, your dreams will have been nudging you in the right direction, showing you what needs to be seen.

Notice what is stirring from within, what wants to be born out of these mysterious depths right now. And celebrate this with a New Moon Ritual, a giving thanks for what is arising – or what you want to arise with the New Moon cycle.

Coincidentally, It was also Diwali, the Indian Festival of lights and Beltane last night, that “celebration of Holy Lust, Allurement, Aphrodite.”(Livingstone)  This is a time when the insects are buzzing in our gardens, nests are being built, there is new green growth and flowers and fruits emerging. This moment is a celebration of life begetting life, of love, or as Glenys Livingstone says, when ” the promise of early Springs exalts in Passion.” So passion, love and lust are certainly being activated at the moment. Its a great time to celebrate your passions, to follow your bliss and the impulses of your heart!

There is much birthing happening in my life right now, after a long deep rest.  I can certainly feel the deep stirrings of life and love. Thanks for stopping by, you might like to grab a cuppa and sit down and have a read. Feel free to pass this newsletters on to others who may be interested. And if you just want to see what’s coming up check out the events below.

Thanks and love


Upcoming Events

2018
Sacred Women’s Circle Co Hosting with Grace Funk, Wednesday 14th November
Summer Solstice Dance- Thursday 20 December,

2019
Medicine Drum Making Workshop- Saturday 9th February 2019
MoonSong Workshop– Sunday 24th March 2019
Medicine Drum Making Two Day Workshop- Weekend of March 30/31 2019


Making a Medicine Drum….

After a fair hiatus the Medicine Drum Making Workshops are back. I am delighted to be hosting two drum making workshops early next year. The first is the  Shamanic Drum Making One Day Workshop, that I have been holding with the beautiful Grace Funk. Grace has moved to Canada, so she won’t be holding this space with me. Instead I am working with Viv Thomas, a beautiful and wise woman. Viv has held space for me many times. She is a wise Bear Woman, a Midwife, Mother, Grandmother, and a Maternal and Child Health Care Worker- so you are in safe hands as you birth your Medicine Drum into the World, and birth yourself as drummer.  I am delighted to be working with Viv, co -creating the magical space with you all to create your own Medicine Drum. Details and Bookings for this One Day Workshop to be held on  9th Feb 2019 in Carnegie.

In March I will be working with Emilie Alciato for a deeper immersion into the drum making process.   Emilie offers regular circles in the Yarra Valley (monthly Moon circles, and Chant de Lune, Medicine songs for women). Her relationship with her drum deepened through her diverse pregnancy journeys as it helped her connect with her babies, to prepare for a freebirth, and to integrate her experience of miscarriage. She is passionate about supporting women to connect with their inner wisdom, to guide mothers to prepare for a conscious birth and to help healing after unexpected birth outcome. 

This two – day workshop provides more time to reflect on your own birth process- how you do creativity, what are your blocks, and where are your flows. We will be in ceremony for two days, and you will be fully immersed in the drum making process from cutting your own hides through to lacing the hide and birthing your drum into the world. This workshop will be held in the Yarra Valley at Peace Farm. We welcome you to join us for this magical transformative weekend. Details and Bookings.

It is such a joy to see women dive deeply into the creative process, and make a medicine drum. And then to hear how they are drumming out in the world is always wonderful. Please keep sharing your stories of how you are working with the Medicine Drum in your life.


Journeying with the Drum

Most of my work with the frame drum is using the drum as a shamanic instrument, for ritual, journeying and ceremony.  In this photo from my recent MoonSong Workshop, the women are journeying to the beat of the drum to access a healing ritual for their menarche.

The women are resting, dropping into the Alpha and even Theta brainwaves by focusing on the beat of the drum.  Alpha waves are calming and relaxing. They are the bridge between our conscious (beta) and subconscious (theta) states. Theta is our most intuitive state, its trance like, and deeply restorative. Journeying with the drum is a way to access these states, to journey into our deeper wisdom, and the consciousness of the web of life.

As the MoonSong workshop is centered around our menstruality, and the deep embodied relationship between our cycling bodies and and the moon and her phases and the earth and her seasons, this drum journey was to the womb (or womb space- for women like me who no longer have a physical womb). The women “traveled” via the drum beat to connect with their Inner Goddess, their inner knowing  to heal their menarche experiences.

In our culture today, most, but not all women experience menarche as a difficult transition. Often enough it is shameful, hidden, or at best, just something to get on with.  But this rite of passage is a spiritual experience, and one that teaches us what it is to be a woman, so healing this rite of passage can have a profound effect on our relationship with ourselves, our cycles (if we are still cycling) and our sense of being a woman. This is important for women at all stages of life. As someone who is journeying through menopause- it is really important that we heal these earlier transitions- that we learn the medicine of each of these rites of passage and continue on our journey of wholeness. Drum Journeys like this one can be an important component of this healing. And then we can embody this healed way, and slowly but surely we ripple out the healing of the feminine. Get in touch with me, if you would like a one on one drum journey, or join us for a full day of reclaiming feminine wisdom in a MoonSong Workshop. I am delighted to be hosting two MoonSong Workshops next year . The MoonSong Workshop is for you if you want to:

*Feel nourished and connected to a circle of sisters

*Listen deeply to yourself and your sisters

*Remember feminine wisdom through understanding women’s mysteries

*Reclaim the sacred intelligence of your body.

*Understand why you feel the way you do

It is important to book early as I am only hosting two workshops in the year. More information and Bookings can be made here.  Of course the birth story in our drum workshop is the first rite of passage, and learning the medicine and healing in this is essential too! So much to remember! I am so glad for the teachings of Jane Hardwicke Collings, who birthed MoonSong into the world, and who was there when i birthed my first drum in the world!


Finding the Rhythms

A long time ago, when I was travelling in France, a French African asked me, “how many rhythms do you know?” I was stunned by the question and I giggled in response but it was earnest, and it has reverberated through me ever since. How many rhythms do I know? Honestly, not many. But I am keen to learn more. I am keen for our culture to celebrate rhythm in its myriad forms. So I decided to explore the musical heritage of the frame drum, exploring the rich histories of rhythm. My first rhythmic teacher was Jane Elworthy, and her teaching was wonderful, though we could only touch upon this heritage as she only offered a couple of weekend workshops here in Melbourne.

I wanted to dive deeper,  and so I enrolled in Marla Leighs Frame Drum Academy.  This has been a really fun way to connect to the rhythmic side of the frame drum, exploring different rhythms and musical histories. Marla is a beautiful teacher, and as its an online course, when and how your learn and practice is up to you. Though it does require discipline, and as a number 5 that can be a challenge for moi!

 

Marla has this to say of the Frame Drum, “In the ancient world, women predominantly played the frame drum.  Shamans and High Priestesses drummed during rituals, sacred rites of passages and for healing.  Today, such formal rituals and rites are no longer a recognizable part of modern living, but we can incorporate these ancient practices into our daily lives to help heal our communities and ourselves.”

You can see this history in this Vase of the Bacchantes from 450 BCE. There are so many examples like this one, showing women from all over the ancient world drumming their drums. And each of you who births a drum, attends a drumming circles, or dances to the beat of one are part of this revolution, bringing the drums and the feminine home!

Interestingly since I began this course, I have by chance (Ha!)  seen several female drummers performing live. These included the awesome Terri Lyne Carrington (pictured below) and her social science project, Lucianna f Padmore with the Rakiem Walker project, ( so funky!) and an amazing frame drummer who performed at Layla and Majnun, but whose name I cannot locate! It is always fantastic to hear and see female drummers. The women are returning to this ancient instrument. Perhaps you feel the call too.


Lost and Found

As with the ancient art of drumming, so much feminine wisdom has been lost, but we are remembering. The call of the divine feminine is growing across the globe. I see it in so many ways, I feel it in my body, or as Arundhati Roy says,

“Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing.”

Can you hear the earth breathing? Do you listen with the ears of your heart to her soft sighs? The rustle of leaves, the whisper of breath upon grass? Do you know her language, her songs? her stories?  I don’t. I long too, but I am not there yet. Sometimes when i’m dancing outside, or simply sitting and observing, I feel the stirrings of language, or at least a deep embodied connection.

I was recently gifted a beautiful book, which conveys the longing and  love of land and the challenge of finding its language. the author Inga Simpson says,

“But I do not speak Brush Box. My imagination is wrong-rooted in woodlands, populated by elves and dragons, the store of words and images from a lifetime of reading English Literature, and a genetic memory of brooks, glens and munros. I strain to hear the voice of this place, the land itself. Sometimes, when sitting on a log, straining up a slope, or hopping from rock to rock along the creek, I catch its echo. Perhaps in time, if  I listen careful enough, all of the stories will align.”  Inga Simpson, Under Story

And this book is a gentle nudge to keep listening, to stay open to the world around me, here, wherever I am.To continue this quest to belong with all that this entails, with a sense of responsibility to the First Peoples and their Knowing, and to the Country herself.

And so I am heartened to have signed up to my third and final year as Apprentice to the Four Seasons Journey under the teaching of Nymh Fox. For she is one who has immersed herself in the Forest, who has opened herself to the language of trees, of shrubs, of soil, of air. “Nymh is a shamanic ecologist, Mother and lifelong Journeyer of the Wild. Her work is deeply rooted in the rewilding of the Feminine. She lives a gentle untamed life with her family in a little cottage on the ridgeline above the wild valley where we gather and journey together. “

Watching Nymh, observing her ways you get a deep sense of how she weaves rituals and the crafting of sacredness into everyday life. I can observe her gentle wild ways her openness to learning, to listening, to wide-eyed wondrous watching. And now she shares what she knows, with deep respect for the land, for the First Peoples, the Gadubanud people of the land on which we gather, and for all the women who come to circle together in the Four Seasons Journey. It is such a Way, such a potent sacred path we walk together.  This work is a reclaiming of our birthright as women, underpinned by the knowing that we are all interconnected, that our healing is Natures healing. We do this work for ourselves and so that “ a renewed sense of balance and wellbeing can be restored to Earth and her people.”  (Hardwicke Collings )

And it is here on Nymh’s land that I have felt my bodied listening open again. In ceremony with the land, we walked the sites that had opened themselves to the women undertaking Wilderness Solo. My work was to tie a red ribbon around each stake identifying the site. It was simple and yet so sacred.  I felt my whole self-held as I prayed to the land, acknowledged the opening and welcoming of the women who would come. I prayed my thanks and gratitude for their offering.

And when the women returned from their 3 night solo with the land, and their voices swelled around the campfire I drummed a simple beat, a gentle reminder to stay close, to hold their stories a while yet.  I checked in with one of the eucalypts that encircled the space, was this the right thing, to quieten them now? She sighed a yes in response.   Three times she sighed when I asked a question of my drumming. Each time I asked a question I heard her sigh yes in response. It may sound obnoxious or trite but it was none of this, it was a call and response, a tiny window into the art of listening to land. And for that brief encounter I heard her language.

So, I return to immerse myself in this process of listening. I return more able this coming year as for this past year I was shielded much of the time. With two major surgeries I was often protecting myself from too much energy, from too much activity and though at times this made me more open to the language of my body and the earth body, at times I closed myself off in protection of my core, my stomach, my womb, my kidney. I protected my centre from any unwanted energy, and at times from that which might have been wanted but felt too powerful, too exposing in my weakened state. So as my energy rises I am delighted to be able to Journey again, to walk this way full bodied, with the School of Shamanic Womancraft open and listening to the women who came and the land who hold us.

We all belong here to this earth, to this place.  And for a white woman in Australia this can be complicated but all of us do belong to, and are part of this earth. I have long heard Aboriginal people say we all belong here, they invite us again and again to understand this within the context of what has occurred here. So we need to remember and celebrate the First Peoples, to listen and learn from the wisdom of a people who have lived on Country since the Dreaming, or as our science would say 70 000 years….

We can do this as individuals, as our leaders often fail too. If you haven’t already, have a read of the Uluru Statement of the Heart and show your support for Indigenous Voices, for real empowerment, and constitutional reform so that (Aboriginal)  “children will flourish. They will walk in two worlds and their culture will be a gift to their country.” This Statement calls for the “establishment of a First Nations Voice enshrined in the Constitution.” And it calls for truth, a  “fair and truthful relationship with the people of Australia and a better future for our children based on justice and self-determination. “It truly is a statement from the Heart, seeking justice, recognition and offering  to walk together with all Australians. I’m all for it what about you? It feels like a healing balm for us all, a much needed doorway into our sacred source. This is the week to get behind this statement by sharing the image above wherever you can!


A poem for you

Today, like every other day, we wake up empty
and frightened. Don’t open the door to the study
and begin reading. Take down a musical instrument.
Let the beauty we love be what we do.
There are hundreds of ways to kneel and kiss the ground.
~Rumi

 

That’s all for now,
Be well, Blessings

Sarah x

 

Creative Collaborations- October Newsletter 18

New Moon Blessings

Hello Dear Friends,
It has been so long since I have felt able to write a newsletter but this New Moon sees me return. I am grateful for your eyes and ears and hearts opening to what is arising. Thank you for reading.

I am conscious that this is a New Moon in Libra (my sun sign) and that the scales are our symbol, so this is a moon cycle about balance. How can we bring balance into our lives? How can we have equanimity with all that arises? As a Libran this is part of my life’s work.  I sense it is a deep calling for so many of us as we live in a world that is out of balance. We live in a culture out of balance.

So here now we can reflect on what we can call in to bring in more balance in our lives. What do we want to sing up? What do we want to let go of? And how do we make the space to reflect, to feel into what is right for us?

Before diving deeper into these reflections have a look at these offerings and follow your hearts call to some embodied remembering, to the sacredness of this life.

Sacred Women’s Circle, Thursday 11 October, Carnegie
MoonSong Workshop Saturday 27 October, Raw Gardens, East Brighton
Sacred Women’s Circle, Wednesday 14 November, Carnegie

Prayers and Neuroscience

These celestial events offer us a space, a portal to open up to what is arising in us. We can use the New Moon energy, to tune into what is being called forth (having used the Dark Moon, to let go of that which no longer serves). Of course it’s not that simple- these things, these aspects of self  don’t just disappear with a prayer but a repeated prayer, an intention followed through with repeated action can change the way we are.

Neuroscience is a way of articulating this “magic” of demonstrating how our prayers take effect in the world.  We can change our states of being and doing. With our prayers, with our meditation and mindfulness- with our will, we can visualize and practice how we want to be. And if  we repeatedly call this up, then we can change. There are so many evidences of this in the world. So use this portal of the New Moon to call in what you want in your life, truly and deeply.  Create rituals, and practices which embody how you want to be. And check out the readings and resources on Neuroscience to help you navigate and embed these practices in your life.

This image above is of  “Biocytin labelling of two synaptically coupled pyramidal cells in medial entorhinal cortex” by Julian Bartram. I love the way it reminds me of that amazing electrical storm that flooded the sky last night.  I love the way patterns repeat themselves in nature, reminding us of our interconnection. And despite the big words, to me this picture is of a meeting place of opportunity. It is the communication of that which we have repeatedly, bodily called up, and then sparks into action.

Creative Collaborations


And the spark for me right now is writing. I am calling in this creative flow as it is bringing me much joy. I am writing a play and one of the wonderful aspects of theatre is that it is not only about words. Theatre invites all our senses to the party. My writing of this play is a calling up of sound, of music, of drumming, of dancing and of words!  It is so cool to work with a platform that encourages me to bring these sometimes-disparate aspects of my life together.  So this is where my writing focus has been. And of course, the content of my play also draws on my passions.

Now I am at the stage of translating this written document into its physical form. It is another birthing, so I call this birthing in under this loving Libran Moon, knowing how much Libra is also about partnerships! I am calling in collaboration with actors, dancers, drummers, lighting and sound technicians, with musicians, directors. I am calling in creative collaboration.  As a Libran, this way of working makes so much sense to me. And my work with Sonia Stocco and Rebecca Grace Funk has shown me how lovingly and joyously I can work with others.

Is there some collaboration that is calling you? Are there opportunities to use this Libran energy to invite others into your work, your way in the world? How can you cooperate with others to bring about the changes you want to see in yourself and for this Planet?

This image above is from Rhiannon Newton’s recent work, We Make Each Other Up performed at Dancehouse.  Of her work, she says,

“A tendril of dance has grown across the dance-floor. The body and the dance are finding new ways to live and flourish together well. Mutual thriving has never felt so good.” – Rhiannon Newton

And this creative collaboration was so beautiful and so inspiring.  There were so many layers to this creative process. Not only was this a collaborative dance work performed at Dancehouse, which was amazing and beautiful, there was also a public program which invited people (like me) to participate in. I was blessed to attend (to be in) Textures– which was a reading by Rhiannon at the Carlton Library. It was a one on one storytelling session. We sat together, and she read to me, from a text I had selected from a set library of texts.  Each of these informed her final production, and were chosen by collaborators from Dance House. And what a selection it was. I could have dipped into them all (Le Guin, Abram, Bird Rose to name but a few) A poem from the writing I chose is here for you at the end of this newsletter. And the poet is only 21!!!!!

I was also blessed to participate in Fortunes of the Forest  which was a meeting with two others, (Caitlin Franzmann @caitlinfranzmann and Amaara Raheem, @amaararaheem ) and included a divination reading from the tarot deck Fortunes of the Forest, created by Franzmann and the gift of a collaborative dance with (in my case) the three of us and a Moreton Bay Fig Tree, and her seeds. It was so beautiful to be part of this co-creation, to be invited into this creative space in this way. And this helped cement my focus on collaboration with the human and more than human world.  Deep bow!

And for those wanting a deeper dive into relationship with the more than human world, then join the Victorian Four Seasons Journey, with Nymh Fox @waysofthewild on Otways land, King Parrot Country of the Yan Yan Gurt people.

“The 4SJ is a year-long educational program, open to women of all ages and circumstance. It offers students an in-depth opportunity to learn the philosophy and practice of Shamanic Womancraft, whilst cultivating a deep personal and spiritual connection with the Earth and the Divine Feminine.

“Focused on the shamanic perspective of cycles – of the Earth, Life, Moon and the menstrual cycle of Woman – the 4SJ prepares its students to become Shamanic Craftswomen – teachers and practitioners of the women’s mysteries, for their community and beyond, in the worthy mission of healing the wounded feminine, healing birth and healing the Earth.”

Contact Sequoia Krop  <admin@schoolofshamanicwomancraft.com> for more information and to grab a prospectus.

Arising and Dissolving


The Libran Glyph (pictured above) “depicts the setting sun about to sink below the line of the horizon, symbolic of the withdrawal of vital day forces after the intense activity of spring and summer. It also reminds one of the beam of a pair of scales, which suggests the weighing of the self against the not-self in the hopes of achieving some kind of balance and equilibrium between subjective and objective consciousness.” From Genevieve Vierling and her Blue Light Lady blog

And so while Spring is dancing her bodied self into our lives, we are also asked to pay attention to the setting sun. We are asked to remember that birth and death are aspects of the one continuum. We arise out of her Dark Cosmic Womb and we return to her Dark Cosmic Womb. For someone who has journeyed with Cancer this dance with death is a beautiful reminder of the preciousness of life. It is a reminder of the need to continually reflect upon my own capacity, and to give myself time to arise and to dissolve whatever the earth season. My tendency has been to stretch myself beyond my capacity not only physically but mentally, my mind (I am an air sign!) is very active and so I am learning how to calm my mind, how to drop into the portal of Darkness, this balm of Dark Energy…I am learning how to let myself go with grace and ease.  This is the balance at the heart of Libra, a need to continually readjust to ensure that there is balance in my life. And to me the whole world is calling for this balance between growth and decay, between action and rest, between light and dark, between all things.

And this is the wisdom also of the Life season of Maga- to be in full recognition of the power and blessings of the descent phase of our life. To have moved in the upswing of maiden and mother, and to be fully present to the pull of the maga and crone energy.  We don’t have the “high” of ovulation, we don’t have the same hormones stimulating us in that way, but we have a steadier energy- once we get through the initiation of our peri/menopause dance.  And what a dance it is! I am still dancing though this initiation and despite the challenges (hot flushes, mood swings, vaginal dryness to name a few ) I am relishing this opportunity to step more fully into myself. I see the Magas out there and I celebrate their wisdom, their way.  I honour their commitment to themselves and to the world. They know themselves, they meet themselves and other from this wellspring of knowing. There is no one else to do this journey work for me, there is no other me, and there is no other you. So we celebrate our unique diverse journeys. We celebrate this dance with descent, welcoming the wisdom that comes.

And so once again I am offering  the MoonSong Workshop for Women, this beautiful day of remembering our life seasons, our bodily wisdom and knowing and our deep interconnection with the moon and the earth. This is for all women- no matter what life stage you are at. There is so much to re learn, to remember, and we do it in the safety and sacredness of a women’s circle. Please join us. Bookings and more information here.

A Poem for You

Yesterday I was the Moon

Yesterday – I was
The Moon
Today – Just an
Eclipse
Something in Me
Travels; Some Days its
to the Dark
Some Days its To
the Light

by Noor Unnahar,  follow her @noor_unnahar  on instagram.

Whats On:

Sacred Women’s Circle;Co Hosting with Grace Funk, Thursday 11 October
MoonSong Workshop-   Saturday 27 October, 2018. RAW Gardens Brighton
Sacred Women’s Circle Co Hosting with Grace Funk, Wednesday 14th November
Summer Solstice Dance- Thursday 20 December,
Medicine Drum Making Workshop- Date TBC 2018

References

The Brain that Changes Itself, Norman Doidge

Thanks for reading,

Blessings
Sarah xxx

Welcome to this Pisceas Full Moon Musings!

A time of heart, of compassion, of neptunian dreaming, of Forgetting and Remembering

Sometimes I lose my way. I forget why I am here, and just how important my work is. There are many demands on our time, many distractions and some worthy. But there is so little time now. And she is calling, she is a whisper in my ear, a vision in my dreams, a cave appearing upon a walk. A cave inviting me inside, reminding me where I first met my inner shaman, reminding me where I first fell headlong into the arms of the great mother. Let me fall again, falling, falling, falling. I surrender again to this deep work.

And it is the work of enchantment, of being enchanted by the land, and hopefully enchanting others back to the land and back to our bodies as part of this land. And I was an enchanted child, curled up with a book, most often Peg’s Fairy Book, or Hilda Boswell’s Treasury of Poetry. Hours upon hours wondering and dreaming.

 And of course many more hours  playing on the beaches, the dunes,  and the cliffs of Merricks Beach. The  land always spoke to me, and as a  child I was attuned to her. I trusted in  the magic, and other worldliness of  place. And then I grew up, and part  of me forgot how to listen, and even  now I can be distracted again by a  cultural narrative which denies the reality of these old stories, of the otherworld….and when this happens I am deaf to the earth, but not for long.

I hear the Grandmothers calling me, reminding me of my work. For in my personal history, in my Celtic ancestry “women were the guardians of the natural world, the heart of the land.” (Blackie) I have inherited a tradition of songs and stories and myths in which the earth is alive, and in which we are beholden to work for her, to protect her. And despite  everything in many parts of Ireland this mythology is strong still, the land still sings her misty and even musty songs. And when I walked the west coast of Tasmania, through ancient forests alive with fungi, and lichen, thick with rivulets and rain, I felt at home. I felt the magic, and the whispers of ancient wisdom. I was enchanted by the land, and the spirit too.

It is time for us all to be re-enchanted, as Sharon Blackie notes “Let’s take back the right to be enchanted, and the right to enchant. Let’s take back the right to cast our spells again. Because stories can enchant us all the way back to the earth. Stories can help us to fall in love with the land all over again.”  And this is what each of us needs to do, fall in love again with the land. She is suffering, we are all suffering, and we need to find our way home to her.

Those of you who read my newsletters and come to my workshops would know how important coming home is to me…and this work of mine is about coming home through dance, through stories, through listening to land, to plant, to bird, to soil and worm. It is about listening to our bodies, and feeling what is arising within and without, flowing with the movement that arises in exchange with this earth, with shadow, rain, with song. It is finding treasure maps home. It is about stories, the ancient ones, the old myths in which the earth speaks to us and through us. I have inherited a mythology and identity which connects me to earth, which compels me to care for earth. But it is the earth of my ancestors and now I am here belonging to this country, born of this soil.

So when I gather myself up and head outside, open to the world, open to the stories that she is singing, I am aware that the songs and stories this land has been telling were in a different tongue, the tongue of the Boon wurrung …and all the other Aboriginal languages across this vast continent we call Australia. And so I need to find ways to listen to their old stories, to the stories of this land as she speaks them, and learn again how to sing back to country to sing her up. And there are many sharing these stories and songs…

As Senior Lore Woman Napanangka  Nelly Patterson, …”Talk to me, I give you a story, I give you a stronger story. Come, come, come listen to the good stories, good song. That’s your story. You missing a long time. Come and learning properly.” It is time to learn properly, to understand more of the songlines of this country, to know where we are born, and what the songlines are, to know all about our land, and the people who have lived here for 50 000 years and more.

And I listen to the stories of Minmia and her instructions to get to know country, to get to know every puddle, bump, tree, bush. It is a lifetime’s work, this getting to know country but it is essential now. And it requires humbleness, openness and sincerity in the face of 200 plus years of oppression. But as Minmia says, “I can only give you permission to take up what is rightfully yours and that is your sense of belongingness to this, our country. By giving permission for the belongingness to our country it is up to you to keep them alive.” This is deep and profound work. I recommend everyone reading her book, Under the Quondong Tree. See if it calls to you. I hope it does.

I wonder how the stories of my ancestral people, the stories that evolved out of that land might intersect here in this country? What paths can we traverse together? How relevant are the stories of mists and bogs from the old country to this country? Certainly there is alignment between the understanding that we belong to country. There is alignment in a culture/world view rooted in the earth as alive, as sentient, and in which humans are responsible for care and guardian ship of the earth. And in Celtic mythology women have a special place in the protection of land.

So my inquiry now is how to journey with this land here in Australia, how to connect to her songs and her stories, and those of my ancestry back in Ireland, Scotland and England, and where does this weave into my women’s work, my work with children and with the body?

I am journeying with others to understand this more deeply. I am journey with Sharon Blackie, in her Mythic Imagination Course, and I’m apprenticing with Nymh Fox Harper and the School of Shamanic Womancraft for the Four Seasons Journey. Deeply excited to dive into the embodied feminine, into the ways of the wild land of the Otways, here in Victoria.

And I also teach MoonSong, which is way to become enchanted with the empowering narrative of the life/death/life cycle that exits within you, within your menstrual cycle and which connects you directly to the earth and her seasons, the moon and her phases and the ways of the old wild women. It is a journey into the myths of the ancient ones, those who knew the importance of working with the land, of honouring her contracts with us, of understanding that we are part of her, that we are in fact dreamed by her. It is a way of rooting ourselves back into our body and into land by understanding the seasons, and their deeply spiritual celebrations of the wheel of the year.  My next workshop will be on Dja Dja Wurrung country, up in Castlemaine. If this calls to you, click here for more information on my next workshop. And please share!

It will be followed by MoonDance, in which we ground into the body of our being, follow the wisdom of the body home to maiden, mother, maga and crone, play and move with the lived experience of the seasons and cycles within our own moving bodies, and the earth around and within us. This too is a treasure map home. Details here.

And it is time to frolic, to enjoy the budding season, to drop into the heart space of the beautiful enchanted maiden. Come play with us as we celebrate the Spring Equinox with a dance. Re acquaint yourself with the joy and pleasure of your moving body, realign yourselves with the rhythm of our great mother, as She, ‘the beloved one returns from the deep”. (Livingstone)

We all cycle through the seasons of our days, our lives and the earth herself. Now it is time to rise with the Spring energy to see what is growing in your own garden, (real and metaphorical) and tend to these and all living things. And of course its time to dance, to feel just how alive you really are, pulsing with the quickening and awakening of Spring.

I’ll leave you with a quote from Minmia

“I want to bring back thinking place. I want to bring back the songs, I want to bring back the stories. I want to bring back the sense of belonging. I want to help with the healing.”

May this beautiful full moon in Pisces be a healing time for you.

Thanks for reading,
see you next month,
Blessings Sarah xxx

main image: Spring Dance, by Von Stuck
Susan Blackie, https://singingoverthebones.org/…
Glenys Livingstone, https://pagaian.org/